The Challenge Every Arch Viz Artist Knows Too Well
Picture this: You’re racing against a deadline, and you know you’ve got the perfect material somewhere in your library of 10,000+ assets. But where? Three folders deep? Renamed last month? On the old hard drive?
For 3D professionals working with massive asset libraries, organisation isn’t just about tidiness—it’s about survival. When project timelines are measured in days rather than weeks, every minute spent hunting for files is a minute stolen from actual design work.
That’s precisely why we built Project Manager.
Today it takes most of the hunting out of the job. Describe the model you need in plain words—in your own language—and find it, even if nobody ever named or tagged it that way. Spot something that’s almost right, and pull up its look-alikes from across the whole library. And let local AI sort thousands of models into categories by type, style, brand and material while you get on with the actual design work.
From Concept Artists to Arch Viz Studios: Real-World Results

Fausto De Martini (concept artist behind Avatar, Transformers, Kill Command) has relied on Project Manager since 2012:
“I’ve been building a library of parts—hydraulic pistons, joints, structural details—which allows me to quickly dress designs without having to ‘re-invent the wheel’. The robots in Kill Command required quite a bit of mechanical parts, and I had to deliver designs very quickly, so Project Manager was a key part of the process!”
Read the full interview here: From Dreams to Blockbusters: An interview with Fausto De Martini

John Santangelo, who manages complex corporate interior projects, puts it even more directly:
“I literally cannot work on my design projects without it!”
Read the full interview here: Riding the Creative Wave: An interview with John Santangelo
What makes the difference? Let’s break it down.
1. A Library That Sorts Itself Out
AI Auto-Categories
Point Project Manager at your library and the AI Classifier sorts your 3D models for you—by object type, style, brand and material (glass, wood, metal and so on), read straight from each model’s preview. Ten thousand files called “final_v2_NEW.max” stop being a problem. AI-assigned categories are kept visibly apart from your own, and every suggestion can be reviewed, reassigned or removed: the AI proposes, you decide.
Runs on Your Machine, Not in Someone Else’s Cloud
Classification runs entirely locally, in the background at low priority, so it won’t get in the way of a render. No subscription, no per-use credits, and no assets leaving the studio—which matters rather a lot under an NDA. On a shared database, several workstations split the queue between them.
Test conditions: a library of about 500,000 models classified in 8–10 hours on a laptop with an Intel Core i7-12700H CPU and an NVIDIA GeForce RTX 4060 Laptop GPU (8 GB VRAM). Timing depends on your hardware and the size of your library.
Search in Your Own Words—in Over 30 Languages
Describe what you need the way you’d describe it to a colleague: “dark leather armchair”, “brass pendant lamp”, “rattan lounge chair”. AI text search finds matching models even when nobody ever named or tagged them that way, and results appear as you type—no Enter key required.
Search in your own language, or switch the language for a single query when the brief arrives in German, without touching your default.
Find Similar
Found a chair that’s almost right? Ask for its relatives. Once the AI Classifier has processed your library, three modes are at hand:
- Filter Similar Objects narrows the current folder with a live slider.
- Find Similar by Object searches the whole library and groups the results.
- Find Similar by Image starts from a photo, a render or even the client’s pencil sketch.
Save the images you keep returning to as Reference Sets and reuse them on the next project.
Plus the Organisation Essentials
Smart Categories
Save any text or AI search as a category. Open it, and it shows every matching file in your library—no dragging assets in by hand, no list to maintain. Create one under a new parent category and Project Manager suggests an icon for it automatically; the query, its type (AI or standard), the language and the similarity threshold can all be changed later.
- Precise search and filters — by filename, description, category or full folder path, with include/exclude filters.
- Colour labels and folder colours — spot “Client Approved” materials or active project folders at a glance.
- Recent Assets — a built-in category that tracks the models and materials you’ve been using.
- Format support — USD, IFL and .vrmat files, plus ZIP, RAR and 7Z archives browsed almost like folders, with models dragged straight into the viewport without unpacking.
2. From Asset to Scene in Seconds
Batch Import with Precision
Drag and drop multiple selected models simultaneously into your scene. Set custom pivot points before merging to ensure accurate placement—because rebuilding placement after import is time you don’t have.
Place and Paint Models onto Surfaces
Put models exactly where they belong by placing or painting them straight onto surfaces in your scene—books along a shelf, planters across a terrace—with each object’s original orientation preserved. The first video below shows it in action.
One-Click PBR Materials
Here’s where Project Manager truly shines: automatically generate physically-based materials from texture sets (Base Colour, Roughness, Normal, etc.) for V-Ray, Corona, Arnold, Redshift, and Octane. What used to take tens of minutes per material now takes one click.
Library Maintenance on Autopilot
The Mass Rename Tool maintains standardised filenames across your entire library—including Cyrillic-to-Latin transliteration for international compatibility. Because inconsistent naming is how good assets become “lost” assets.
3. Built for Teams, Optimised for Speed
Performance at Scale
We’ve continuously optimised asset display speed and interface responsiveness, particularly for massive databases. Your 50,000-asset library shouldn’t feel like molasses.
Intelligent Relink
Automatic tools for updating missing external references ensure textures and files are correctly located when opening scenes—especially crucial when working across team members or workstations.
Teamwork Mode
MySQL/MariaDB database support allows entire teams to share a centralised library whilst synchronising settings like folder colours. One source of truth, zero confusion.
The Investment That Pays Back Daily
Fausto De Martini’s approach illustrates Project Manager’s core philosophy perfectly: invest time organising your asset library once, then reap instant speed benefits on every single scene thereafter.
When you’re working on tight deadlines—whether that’s blockbuster film concepts or commercial arch viz projects—the difference between hunting for assets and having them at your fingertips isn’t just convenient. It’s the difference between delivering on time and missing the deadline entirely.
Project Manager transforms asset management from a tedious bottleneck into the fastest, most organised part of your creative workflow.
Testimonials:
Ready to Take Control of Your Asset Library?
See how Project Manager can accelerate your workflow with a free demo.
Used by concept artists, interior designers, architects managing corporate projects, and arch viz studios worldwide.
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